Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (720)

Order by
7 – 8 April 2022
Performance Space New York Online

No Diving 2

Storyboard P

Live in person at Performance Space New York and live-streamed everywhere! Watching Storyboard P dance feels like glimpsing into another world.

A jagged bluff of rocks juts out into a grey and moody sea as waves lap at shore
20 November 2019
Tramway

4 Waters: Deep Implicancy

Arjuna Neuman Denise Ferreira da Silva

What would a world and an ethics look like free from the destructive consequences of the Western mind?

Episode 10: A Means Without End
Guitar player silhouetted against projection of a film
11 December 2004
DCA

Text of Light and Films by Stan Brakhage

Alan Licht Lee Ranaldo Stan Brakhage Tim Barnes Ulrich Krieger

As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.

Kill Your Timid Notion 04
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
arika_ep7_IMG_6434
16 April 2015
Tramway

Ode to 1 & more than 1

Constantina Zavitsanos Park McArthur

The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.

Episode 7: We Can’t Live Without Our Lives
Arika_Whitney_ASIAPOL_BrandonLaBelle-16
2 May 2012
Whitney Museum of American Art

Temporary outpost for an auditory figure

Brandon LaBelle

A temporary archive and research space tracing the ways in which sound and audition move through everyday life.

A survey is a process of listening
Hisato Higuchi backstage at MLFC 07
13 May 2007
The Sage Gateshead

Hisato Higuchi

Hisato Higuchi

Some of the most breathtaking, delicate and smoke filled guitar playing this side of Loren Connors or the quieter sides of Keiji Haino.

Music Lover’s Field Companion 07
27 March 2022
CCA Annex (Online)

Part Two | Parte II

Turmalina Chama Denise Ferreira da Silva Camilla Rocha Campos

A Breath to Follow | Um sopro a se seguir
A series of large dimly lit light bulbs hanging in a room
12 April 2007
DCA

Beyond 6281

ARTIFICIEL

Audio signals pass through light bulbs, causing the filaments of the bulbs to sing and crackle in a chorus of electronic static.

Kill Your Timid Notion 07
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Alice is centre stage in her manual wheelchair, arms raised, crutches extended
13 April 2019
Performance Space New York

Where Good Souls Fear

Alice Sheppard

An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.

I wanna be with you everywhere
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event