Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Dead Labour Process drool-tape farmer, squeaking/creaking Usurper brother and Peeesseye’s yodelling traps-man hold a real OUT splutter party.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
No Wave, damaged garage jams and crazed instant vocal shrieks.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
