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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Several brightly coloured abstract square forms are complexly layered
18 February 2006
DCA

Film Programme 1: Colour

Jennifer Reeves Various Artists Ian Helliwell Yasunao Tone

A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.

Kill Your Timid Notion 06
Dancer dressed in white, reaching, stretching back, legs and arms outstretched
13 April 2019
Performance Space New York

Nearly Sighted/unearthing the dark

Kayla Hamilton

Beyond time, colorlines, ability, and sexuality, a movement exploration into what it means to see and be seen, how hearing contrast with what is actually being heard.

I wanna be with you everywhere
Wadada Leo Smith thanks the audience, hand on his heart, trumpet by his sideide
19 April 2013
Tramway

Wadada Leo Smith

Wadada Leo Smith

A performance bearing witness to a struggle built upon patience and collective action from the great multi-instrumentalist and member of the AACM.

Episode 4: Freedom is a Constant Struggle
8 – 9 November 2025, 09:30

Class (in the arts) Workshop

ARC (A Revolting Class) SAU (Scottish Artist Union) Common Treasury Scottish Working Class Network

A 2-day workshop to deconstruct our classed experiences and the ways in which we reproduce the same class system we fight against, in order to create a stronger, more egalitarian Scottish art sector.

Kazuo Imai and Astuhiro Ito on stage with guitar and light bulb
19 February 2006
DCA

Kazuo Imai & Atsuhiro Ito

Atsuhiro Ito Kazuo Imai

A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.

Kill Your Timid Notion 06
An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
Layers of projection on a screen, a man's face with wig to the right
15 April 2007
DCA

LEVOX

eriKm Etienne Caire Gaëlle Rouard

Imagery, drawn from what seems like hundreds of different films is overlaid and combined in a promissory rainbow of new meanings and impossible scenarios, with the unsettling feel of daylight shadows.

Kill Your Timid Notion 07
Current 93 on stage at INSTAL 04
16 October 2004
The Arches

Current 93

Current 93

One of the most revered and legendary underground acts of the past 20+ years, Current 93 is the constantly evolving creation of David Tibet.

INSTAL 04
Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
Two Bain brothers look down at a lit mixer in a dark space
15 February 2008
The Arches

Self Cancellation – Archisonic

John Bain Mark Bain

A system in which oscillators shake The Arches, seismographs pick up the harmonics that are then amplified through massive sub-bass PA.

INSTAL 08
Z'EV performing with home made percussion instruments in a railway arch
16 October 2004
The Arches

Z’EV

Z’EV

US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.

INSTAL 04
White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
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