Episode 3: Copying without Copying
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.
In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.
An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
A public gathering that brings together local artists, musicians, activists, and community organisers.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.
60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves
Sex worker only Collective Art Workshop led by the Hard Labour project from Scotland for Decrim.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.