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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Yellow swirls on red: Still from Matt Hulse Film: See Noise Hear Light - Friday
13 October 2006
The Arches

See Noise Hear Light Friday

Blood Stereo Ellen Fullman Jason Lescalleet Ludo Mich Matt Hulse Nmperign Oshiri Penpenz Sean Meehan

Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
Ahya Simone performs on Harp in support of Juliana Huxtable
23 October 2016
Tramway

Juliana Huxtable

Ahya Simone Joe Heffernan Juliana Huxtable

Juliana’s performances chart the dissonant space and discrepancy between the presumed fixed norms of social life and the fluid lived experience those norms don’t allow for.

Episode 8: Refuse Powers’ Grasp
Rainbow pride heart window decals advertise an offer at a Sunbed shop, Consol
23 November 2019
Tramway

Future Ruins: transfeminism, austerity and the archives

Jay Bernard Mijke van der Drift Nat Raha

Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.

Episode 10: A Means Without End
at the end of a dark gallery a screen throbs with layers rectangles of red
12 October 2008
DCA

Declarative Mode (1976 – 1977)

Paul Sharits

Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.

Kill Your Timid Notion 08
Disco lights on festoons on a wall
17 November 2017
Kinning Park Complex

Party & Unity Fundraiser

DJ D-Harsh Dj@Christelle Moor Mother Nena Etza

Social and party with all proceeds going to the Unity Centre, featuring DJ SETS with Dj@Christelle, DJ D-Harsh, Nena Etza & Moor Mother.

Episode 9: Other Worlds Already Exist
13 April 2007
DCA

KYTN Salon: Post Consideration

Andrew Lampert Edwin Carels Eric La Casa John Harris Prof. Heike Sperling Zoe Irvine

Post consideration and post rationalisation… How do we think about experimental music and film after the performance?

Kill Your Timid Notion 07
Howard Slater is in conversation at a table with Barry Esson in a black room
21 April 2013
Tramway

Listener as Operator

Howard Slater

Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.

Episode 4: Freedom is a Constant Struggle
Rhodri Davies plays two suspended deconstructed weathered harps
15 February 2008
The Arches

Self Cancellation – Seed Burn / adh

Lee Patterson Rhodri Davies

Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.

INSTAL 08
A circle of light from a projector circles audience members
12 December 2004
DCA

Sachiko M & Anthony McCall

Anthony McCall Sachiko M

Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery

Kill Your Timid Notion 04
The high domed ceiling of Hamilton Mausoleum seen from below
29 June 2006
Hamilton Mausoleum

Hamilton Mausoleum

Akio Suzuki Chris Corsano John Butcher

Chris Corsano, Akio Suzuki and John Butcher performing in the Hamilton Mausoleum, Hamilton.

Resonant Spaces
An actor looks off stage left, his eyes seem scared and wary
19 February 2006
DCA

Film Programme 5: Drama

Christian Marclay Ian Helliwell Various Artists

Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.

Kill Your Timid Notion 06
Alice is centre stage in her manual wheelchair, arms raised, crutches extended
13 April 2019
Performance Space New York

Where Good Souls Fear

Alice Sheppard

An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.

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