
Sea Oak
Emily Wardill
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
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A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Brain boiling duo improvisation by great Japanese no input mixing desk pioneer Toshi Nakamura and french organ philosopher Jean-Luc Guionnet.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.
A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.
Every aspect of every film is always about more than just film. Or, as Godard said: a tracking shot is a moral issue. A cross between a festival, magazine and discussion about experimental artists’ films.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.