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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A colorful pencil drawing of a figure, one tattoed arm is clenched in a fist
10 – 14 April 2019
Performance Space New York

I wanna be with you everywhere

I wanna be with you everywhere was a gathering of, by, and for disabled artists and writers and anyone who wanted to get with us for a series of crip meet-ups, performances, readings and other social spaces of surplus, abundance and joy.

Eye Contact group on stage in pink light at INSTAL 06
15 October 2006
The Arches

Eye Contact

Eye Contact

Free Jazz group comprising Matt Lavelle, Matt Heyner (TEST, No-Neck Blues Band) and Ryan Sawyer (Tall Firs).

INSTAL 06
Richard Youngs stamps his foot and gesticulates as he sings energetically
17 February 2008
The Arches

Personal Space

Luke Fowler Richard Youngs

For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.

INSTAL 08
Bridget Hayden playing a violin with Vibracathedral Orchestra
21 May 2005
The Sage Gateshead

Vibracathedral Orchestra

Vibracathedral Orchestra

Veterans of the psych-infused UK free noise scene, the Vibracathedral Orchestra is a hypnotic ur-drone group hailing from Leeds.

Music Lover’s Field Companion 05
Maryanne Amacher operating a mixing console, wearing glasses
15 October 2006
The Arches

Maryanne Amacher

Maryanne Amacher

A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.

INSTAL 06
A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
Diamanda Galas singing at a piano on stage at MLFC 07
11 May 2007
The Sage Gateshead

Diamanda Galás

Diamanda Galás

Solo performance by Diamanda Galás one of the great artists of the last forty years. Hers is an emotional expressionism of demonic shrieks, operatic falsettos, glottal clicks and diabolical growls.

Music Lover’s Field Companion 07
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
A glass spilling over with milk sat on a table
28 February 2010
DCA

Semiotics of the Kitchen & To Pour Milk into a Glass

David Lamelas Martha Rosler

Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.

Kill Your Timid Notion 10
A spectral Keiji Haino hardly visible on stage in near darkness
26 February 2012
Tramway

Keiji Haino

Keiji Haino

Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.

Episode 2: A Special Form of Darkness
Two smashed mirrors with shards of glass here and there
25 February 2012
Tramway

Rehearsal after Reflect Soft Matte Discourse

Clara López Imri Sandström Malin Arnell

A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.

Episode 2: A Special Form of Darkness
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