 
The View From Nowhere Part 1
Ray Brassier Thomas Metzinger
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
 
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
 
Percussion used to explore the social construction of space
 
Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.
 
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
 
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?
 
An original and beautifully simple performed installation forging a direct link between sound and image.
 
Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.
 
In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.
 
An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.
 
A space to reflect on our own experiences with the police and explore more community and care-based ways of dealing with violence and difficulties in our lives.
 
Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.