Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Each organ is unique. The project is to find out what makes it unique.
The Scottish based Paragon Ensemble has commissioned David Fennessy to compose music for Instal, which will be performed during the evening.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
How do grassroots feminist organisations strategise relationships between mothers, parents, carers and their children based on respect and empowerment, in resistance to the practice of putting children in often the most uncaring of places – care.
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?
