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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Guy sherwin holding a mirror showing a projection of himself with another mirror
10 October 2008
DCA

Man With a Mirror

Guy Sherwin

A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.

Kill Your Timid Notion 08
Several brightly coloured abstract square forms are complexly layered
18 February 2006
DCA

Film Programme 1: Colour

Jennifer Reeves Various Artists Ian Helliwell Yasunao Tone

A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.

Kill Your Timid Notion 06
Lee Patterson sitting next to a projection of himself, pensive
10 October 2008
DCA

North West from Chester Hill, Composition – 10 (1960)

Lee Patterson Luke Fowler

A delicate and detailed walk through the urban and rural landscape around Dundee; a poetic focus on the details found. A performance for 16mm projection and live amplified objects (maybe pine cones, maybe a coke bottle).

Kill Your Timid Notion 08
15 April 2007
DCA

Ken Hollings Talk

Ken Hollings

A talk entitled ‘The Conquest of the Universe’: which delves into the connections between the underground filmmakers and musicians in New York in the early 1960s

Kill Your Timid Notion 07
Two performers silhouetted against a projection of blue light
18 October 2003
DCA

Silophone

[the user]

Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.

Kill Your Timid Notion 03
A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
15 November 2024
Tramway

When my heart looks for you, where will it find you?

Sadia Shirazi Mezna Qato Sakina Ali

A workshop inviting participants to enact a series of scores that explore witnessing, testimony, grief and mourning, facilitated by Mezna and Sadia, and accompanied by Sakina Ali.

Episode 11: To End the World As We Know It
A medium close up of the thick trunk and roots of a mangrove tree
16 April 2015
Tramway

Assemblages

Dir: Maurizio Lazzarato & Angela Melitopoulos

A filmic constellation exploring Felix Guattari’s anti-patriarchal, anti-colonialist, anti-psychiatric, animist ideas of care and the self. And an Introduction to the Episode.

Episode 7: We Can’t Live Without Our Lives
A white star painted on a black oil tank or similar metal container
21 June 2006
Lyness Oil Tank

Lyness Oil Tank

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.

Resonant Spaces
Fritz Welch and Neil Davidson playing a string quartet on drums and guitar
13 November 2010
Tramway

String Quartet

Neil Davidson

Three different performances variously featuring: Fritz Welch, loud drums, guitar, local collaborators, paper, memories, Roland Barthes, string quartets

INSTAL 10
Black and white photo of Argyll taken from event poster
4 September 2007
Various

Half-Life

Angharad Davies Lee Patterson Luke Fowler Rhodri Davies Toshiya Tsunoda

NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.

Peter Evans backstage at MLFC 07
11 May 2007
The Sage Gateshead

Peter Evans

Peter Evans

A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.

Music Lover’s Field Companion 07
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