Criminal Queers
Chris Vargas Eric A Stanley
Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Leading language/ action/ sound poet performed his groundbreaking concrete poem, a dizzying mandala of text, symbols and rubber stamps; a kind of book as reading machine.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Noise music for the eyes: projectors turned into instruments, B&W film loops into a thrumming riot of colour, motion and sound.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.