Sea Oak
Emily Wardill
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
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A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.
An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.
In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
Now a two day festival, INSTAL 04 was borne of a desire to open eyes, challenge audiences and expand musical horizons. This was also the year in which a certain representative from Corwood Industries made his first ever live appearance.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
ACCESS: SOUND FILE A day-long salon accompanying KYTN focusing on sound art.