Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A 3-day exploration – through performance, screenings and discussion – of the art and politics of wayward communities who refuse to be bound by the fictions of race and sex.
The Tower performance at KYTN throws into that mix the 70’s fluxus light shows and films of Jeff Perkins and other filmic interventions tuned to their unique frequency.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”
Beatriz will explore her thinking, on film as translation, plural subjectivity or land-based militancy. Discussion will centre around her work Oriana and its companion piece Oenanthe, which will be screened in full.
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.
How do we gesture to the invisible, the trans or the obscure? A performative conversation between boychild and Fernando, a sharing of gestures, and a bodily back and forth between mathematician and dance artist.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
