Kill Your Timid Notion 08
Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
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Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.
Acting at the minimum. Each film here substitutes one small thing for another, (ironically) transforming received meanings by the simplest of actions; often kind of funny too.
A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
Elizabeth’s writing pulls apart toxic settler colonialism and the worldview used to justify it; working towards an alternative distribution of powers, so that ways of being otherwise can endure.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves
Summer Solstice hang out IRL and URL on 21 June
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.