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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A guitarist and a drummer performing on stage
13 May 2007
The Sage Gateshead

Aufgehoben

A preposterously heavy, eye of the storm musical tug of war, in which two drummers, electronics and electric guitar fall over each other in a droning crush.

Music Lover’s Field Companion 07
Octante & Margarita Garcia standing in a group smiling
13 May 2007
The Sage Gateshead

Octante

Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán

Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.

Music Lover’s Field Companion 07
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
Kyoaku No Intention on stage at MLFC 05
22 May 2005
The Sage Gateshead

Kyoaku No Intention

Kyoaku No Intention

Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.

Music Lover’s Field Companion 05
13 October 2006
The Arches

Infest – Usurper

Usurper

Miniscule free-noise hissy-fits and broken instrument scrape/ squeal jams from the fools what brought you Giant Tank.

INSTAL 06
From a flat roof top, a pigeon flys to the right. on the roof are metal canisters weighted with brick, metal poles and frames and wires. In the distance we see the blurred outline of a city located in a dry desert like landscape.
17 November 2024
Tramway Live Stream

Toward Nakba as a Planetary Process

Anti-Denialist Museum of Palestine Ayreen Anastas Rene Gabri Houria Bouteldja Avery F. Gordon Amirah Silmi Françoise Vergès Additional Contributors

An assembly to try and provide some experiential and theoretical resources for the renewal of a certain affective, extra-political sociality, in the face of one of our great adversaries; the forces of colonial, imperial, genocidal denial.

Episode 11: To End the World As We Know It
A metallic form projected on a wall
14 April 2007
DCA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.

Kill Your Timid Notion 07
A shot of murky green and brown water with several rectangular bricks submerged
20 November 2019
Tramway

All and at once

Arjuna Neuman Denise Ferreira da Silva Fred Moten Wu Tsang

Why won’t the idea of the particle or individual go away? Is the measurement problem in physics a documentary film issue? What can a human be without its crutches of life-time and measure?

Episode 10: A Means Without End
Yellow swirls on red: Still from Matt Hulse Film: See Noise Hear Light - Friday
13 October 2006
The Arches

See Noise Hear Light Friday

Blood Stereo Ellen Fullman Jason Lescalleet Ludo Mich Matt Hulse Nmperign Oshiri Penpenz Sean Meehan

Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.

INSTAL 06
Make A Way Out of No Way Poster Graphic
26 – 28 September 2014
Tramway Stereo

Episode 6: Make a Way Out of No Way

A 3-day exploration – through performance, screenings and discussion – of the art and politics of wayward communities who refuse to be bound by the fictions of race and sex.

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