27 February 2010
DCA
Film Programme 1: Inventory
Various Artists
Kill Your Timid Notion 10
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
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20 May 2005
The Sage Gateshead
MICRO 1
Takehisa Kosugi
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
Music Lover’s Field Companion 05
10 October 2008
DCA
After Leonardo
Keith Rowe Malcolm Le Grice
A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.
Kill Your Timid Notion 08
13 May 2007
The Sage Gateshead
Octante
Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán
Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.
Music Lover’s Field Companion 07
11 December 2004
DCA
Film Programme 2: Celluloid
Bill Morrison Guy Sherwin Jürgen Reble Thomas Köner Various Artists William Basinski
Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.
Kill Your Timid Notion 04
25 February 2012
Tramway
The View From Nowhere Part 2
Alexi Kukuljevic Mark Fisher Ray Brassier
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
Episode 2:
A Special Form of Darkness
21 April 2013
Tramway
Unfree Improvisation / Compulsive Freedom
Mattin Ray Brassier
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?
Episode 4:
Freedom is a Constant Struggle
15 November 2024
Tramway
Live Stream
Subversive Strategies in Sound and Music
Rashad Becker Sunik Kim
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
Episode 11: To End the World As We Know It
22 March 2009
The Arches
Free-form hook up
Ben Knight Hannah Ellul Neil Davidson
Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.
INSTAL 09
13 November 2024
Glasgow School of Art
I am not a nation-state
Leanne Betasamosake Simpson Nat Raha
One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.
Episode 11: To End the World As We Know It
21 October 2016
The Art School
Refuse Powers’ Grasp – Club
boychild Elysia Crampton Juliana Huxtable Joe Heffernan
All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.
Episode 8:
Refuse Powers’ Grasp
18 February 2006
DCA
Christian Marclay’s Screen Play
John Butcher Paul Lovens Steve Beresford Christian Marclay
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
Kill Your Timid Notion 06