Anal Panopticon
Huw Lemmey
Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.
How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
One of the great experimental films. A 60 minute, three part riddle that maybe approximates our intellectual development by moving from imageless words to the recognition of silent images and the learning of simple tasks and finally a serenity and acceptance of death.
William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
A performance bearing witness to a struggle built upon patience and collective action from the great multi-instrumentalist and member of the AACM.
A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.