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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A flyer in black and grey that says Master BallStar Weekend
15 – 20 April 2014
MoMA PS1 The New School Holiday Inn Club Escuelitas

Master Ballstar Weekend

A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.

Image with the words: Paragon Ensemble / David Fennessy
9 December 2001
The Arches

Paragon Ensemble / David Fennessy

Paragon Ensemble

The Scottish based Paragon Ensemble has commissioned David Fennessy to compose music for Instal, which will be performed during the evening.

INSTAL 01
Mijke point to a white board their face is reflected in a tv screen to their lef
24 November 2019
Tramway

Multilogics and Poetics of Radical Transfeminism

Mijke van der Drift Nat Raha

Underlying radical transfeminism, as an urgent critique of binary essentialism and fixed identities, is the call for a new kind of thinking that can move between and integrate the truths of all lives in their transformations.

Episode 10: A Means Without End
a hand places a sweet into the mount of a glamorously made up woman
28 February 2010
DCA

Film Programme 7: Duplication

Various Artists

Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?

Kill Your Timid Notion 10
Bhob Rainey and Greg Kelly playing saxophone and trumpet
22 May 2005
The Sage Gateshead

Nmperign

Nmperign

Boston duo of saxophonist Bhob Rainey and trumpeter Greg Kelley approach their improvisations with a slew if extended techniques and pregnant silences.

Music Lover’s Field Companion 05
arika_ep7_IMG_6458
19 April 2015
Tramway

TLRS

Laurence Rassel Terre Thaemlitz

The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.

Episode 7: We Can’t Live Without Our Lives
A long distance shot of a dark theatre stage piled high with cardboard boxes
26 February 2012
Tramway

Inhuman Grand-Guignol Theatre

Taku Unami

Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.

Episode 2: A Special Form of Darkness
17 November 2024
Tramway Live Stream

Sunik Kim Performance

Sunik Kim

A dense materialist experience at the limits of contemporary computer music, drawing on Korean Shamanism and Communism; striving to create a strange new vibration to the world that seems to contain the seed of everything.

Episode 11: To End the World As We Know It
Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light
17 November 2024
Tramway Live Stream

DJ E

Chuquimamani-Condori

Ecstatic, intensely joyous experimental club music: like “the sound of our water ceremonies…40 bands playing their melodies at once to recreate the cacophony of the first aurora and the call of the morning star Venus”.

Episode 11: To End the World As We Know It
Projection of a distorted signal in blues and greens on a wall
15 April 2007
DCA

AVVA

Billy Roisz Toshimaru Nakamura

AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.

Kill Your Timid Notion 07
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
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