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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
Oshiri Penpenz singer lit from above at INSTAL 06
13 October 2006
The Arches

Oshiri Penpenz

Oshiri Penpenz

No Wave, damaged garage jams and crazed instant vocal shrieks.

INSTAL 06
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
Ryoji Ikeda pictured against a dark background
1 December 2002
The Arches

Formula [ver 1.1]

Ryoji Ikeda

Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting

INSTAL 02
boychild raises hands to the air open palm toward ceiling, head tilted upwards
23 November 2019
Tramway

Untitled Hand Dance

boychild

“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild

Episode 10: A Means Without End
Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
William Parker talking during his performance at MLFC 07
13 May 2007

William Parker

William Parker

William cradles, hammers, and rains down blows, plucking and using 2 bows to attack the strings above and below the bridge, all in the service of a fiery and passionate creativity.

Music Lover’s Field Companion 07
Four folks sit around a table looking out of frame to someone asking a question
20 April 2013
Tramway

The Experiment: Pt. 2

Amiri Baraka Fred Moten Sonia Sanchez Wadada Leo Smith

How does this practice, that simultaneously resists and honours the distinctions between these genres, materials and senses, determine the inhabitation of another: a convergence of aesthetic and social experimentation?

Episode 4: Freedom is a Constant Struggle
12 March 2022
Online

Constantina Zavitsanos and Carolyn Lazard in Conversation

Carolyn Lazard Constantina Zavitsanos

Discussion: If we approach “care as an event” rather than as a “contract of exchange”  then what becomes possible in how we know, care for, and appreciate each other?

Mutual Aid
Two shafts of light, one red, one blue come from two 16mm projectors
12 December 2004
DCA

Tabula Smaragdina

Jürgen Reble Thomas Köner

Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.

Kill Your Timid Notion 04
boychild performs prostrate bathed in a blue light a red light in their mouth
26 May 2013
Tramway

#untitled lipsync 3

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

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