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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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An old photograph of a group looking direct to camera
26 September 2014
Tramway

Waywardness

Saidiya Hartman

A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.

Episode 6: Make a Way Out of No Way
Loic Blairon Sits at a table
15 May 2010
Tramway

It Doesn’t Say What It Says

Loïc Blairon

Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…

UNINSTAL
Pony Zion in a red shirt and cap tenses their hands and arms in a gesture
27 September 2014
Tramway

You’ve Never Seen Pain Expressed Like This

Danielle Goldman Kia Labeija Miss Prissy Pony Zion

A freestyle performed conversation for bodies and voices – with the Queen of Krump, the master of Vogue Femme Dramatics and the rising star of Vogue Women’s Performance.

Episode 6: Make a Way Out of No Way
Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
: Leanne Betasamosake Simpson has long brown hair, wearing a denim shirt with a camouflage jacket on top. Behind them is are tall reed like plants and red tree branches to the foreground.
13 November 2024
Glasgow School of Art

I am not a nation-state

Leanne Betasamosake Simpson Nat Raha

One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.

Episode 11: To End the World As We Know It
A man sits at a desk with a large timer clock on it and speaks to camera
28 February 2010
DCA

Morgan Fisher – Screening and Chat

Morgan Fisher

Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.

Kill Your Timid Notion 10
Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
A cactus and coffee cup and a sheet of paper sit on a table
28 February 2010
DCA

Poetic Justice

Hollis Frampton

A cinema of the mind, a film to take place in the viewers’ imagination(s).

Kill Your Timid Notion 10
A record deck with an old record on another record with a blue label to the side
13 November 2010
Tramway

Pascal le Gall

Pascal le Gall

A carefully thought out, simple but rich performance using just a turntable, teach yourself foreign language LP’s, the impeccable timing of a percussionist, and an idea.

INSTAL 10
silver and brown design like 16mm film strips with text - Kill Your Timid Notion
9 October – 29 November 2008
DCA

Kill Your Timid Notion 08

Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.

A hand frames the word Panther written on a brick in pen
11 October 2008
DCA

Film Programme: Zorns Lemma

Hollis Frampton

One of the great experimental films. A 60 minute, three part riddle that maybe approximates our intellectual development by moving from imageless words to the recognition of silent images and the learning of simple tasks and finally a serenity and acceptance of death.

Kill Your Timid Notion 08
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
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