Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?
Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers
There exist places in our towns and cities that are created not by design, but by circumstance. Shadowed Spaces was a tour of overlooked, bypassed and unconsidered nooks and crannies with 3 musicians.
Julius’ “small music” features simple snatches of found sound, played back through small speakers, often set in bowls of pigment and dirt which shimmies in the vibrations.
Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
A parody of a (Manhattan) road movie and meditation on bifurcation, in paths traveled between the seen and the heard; a road trip played over and over from different perspectives.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
