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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A metallic form projected on a screen
29 November 2008
BFI IMAX Spike Island CCA BFI Southbank ICA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.

Kill Your Timid Notion on Tour
Four people on stage have a discussion. A screen projects images behind them
21 October 2016
Tramway

Life In Flight From Every Prison

Dean Spade Joshua Allen Tourmaline We Will Rise

Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?

Episode 8: Refuse Powers’ Grasp
a banner with painted letters saying sex work is work
20 April 2017
Terrence Higgins Trust

Community Discussion: LGBTQI People & Sex Worker’s Rights

Join Umbrella Lane and special guest migrant trans sex workers in a community discussion about the points of intersection in LGBT people’s rights and sex worker’s rights.

Sex Workers’ Festival of Resistance
Junko singing into a microphone & Masayoshi Urabe playing a saxophone
13 May 2007
The Sage Gateshead

Junko & Masayoshi Urabe

Junko Masayoshi Urabe

Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.

Music Lover’s Field Companion 07
arika_ep6_IMG_5024
26 September 2014
Stereo

Make a Way Out of No Way: Club

Kia Labeija MikeQ Miss Prissy Pony Zion

Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?

Episode 6: Make a Way Out of No Way
Klaus sits at a table and plays electronics whilst Radu plays trombone
21 March 2009
The Arches

Klaus Filip & Radu Malfatti

Klaus Filip Radu Malfatti

Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.

INSTAL 09
A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
Large white and red forms projected near a man operating another projector
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

La Cellule d’Intervention Metamkine

Metamkine

Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers

Kill Your Timid Notion on Tour
Sean Meehan performing in a on a curved wall before an audience
6 July 2007
Union Terrace Gardens

Shadowed Spaces Aberdeen

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.

Shadowed Spaces
Miss Major waves regally from an open top car at a Pride parade, she is surrounded by other Pride marchers with banners and placards.
13 March 2022
Online

Chosen Kin: Making Our Loyalties

Mai’a Williams Miss Major Claricia Revlon

How do communities formed under the duress of violent othering and the joy of solidarity – such as ballroom culture, Black diasporas, Zapatistas – reform bonds of kinship?

Mutual Aid
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