Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
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Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Everyday objects and materials (rubber bands, paper, a sink, microphones) disabused of their inertia and made to speak for themselves in a kind of focusing in on the tiny, repetitive, almost unobserved (sonic/ visual) potential of everyday things put into motion.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
The Experimental Improvisers Association of Japan, [EXIAS-J] are a loose collective of musicians and dilettantes who seem to represent an entire and self sufficient scene in one band.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.
With Taku we’ll carry out some simple proposals for doing almost nothing, for re-thinking sound with whatever comes to hand.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
