Radio Party
Tetsuo Kogawa
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
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A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Performance of a Sudoko based graphic score giving rise to a process of self cancellation.
A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.
Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?
Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.