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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Arika_ASIAPOL_Whitney2012_CraigDworkin_VanessaPlace_Photo_BMcIntyre-3
2 May 2012
Whitney Museum of American Art

A Handbook of Protocols for Literary Listening

Craig Dworkin Vanessa Place

Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.

A survey is a process of listening
Arika_Instal08_BryonyMcIntyre_Marginal Consort - Imai 2106
17 February 2008
The Arches

Marginal Consort

Marginal Consort

Durational group-mind drone and clatter: bamboo, electronics, the contents of your local ironmongers bin. A 3-hour set from this legendary Japanese improvisation group.

INSTAL 08
The sun low in the sky above Easterhouse, an audience at a performance
10 July 2007
The old public library in Easterhouse

Shadowed Spaces Easterhouse

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Location: Around and about the old public library in Easterhouse; disinvested in and left to rot by the council but which was shamelessly, hastily and superficially cleaned by them in expectation of our event.

Shadowed Spaces
Up-Tight on stage at INSTAL 05 lit from behind in high contrast
14 October 2005
The Arches

UP-TIGHT

UP-TIGHT

Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.

INSTAL 05
An audience assembled inside a cave a pool of water between them and performers
23 June 2006
Smoo Cave

Smoo Cave

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a remote sea cave near Durness.

Resonant Spaces
Image with the word: Fennesz
9 December 2001
The Arches

Fennesz

Fennesz

Austrian guitarist who specialises in a warm digital deconstruction of guitar noise

INSTAL 01
An old photograph of a group looking direct to camera
26 September 2014
Tramway

Waywardness

Saidiya Hartman

A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.

Episode 6: Make a Way Out of No Way
at the end of a dark gallery a screen throbs with layers rectangles of red
12 October 2008
DCA

Declarative Mode (1976 – 1977)

Paul Sharits

Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.

Kill Your Timid Notion 08
Tetsuo Kogawa peers at several small radios as he manipulates the aerial of one
21 March 2009
The Arches

Tetsuo Kogawa

Tetsuo Kogawa

Performing with hand built radio transmitters, which react to interference in the atmosphere and the electrical impedance of his hands, his radio art is a form of social practice; a statement in opposition to mass media.

INSTAL 09
a man stands behind a red table
21 February 2010
DCA

Festival Launch

Christof Migone Jarrod Fowler

Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”

Kill Your Timid Notion 10
Guy sherwin holding a mirror showing a projection of himself with another mirror
10 October 2008
DCA

Man With a Mirror

Guy Sherwin

A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.

Kill Your Timid Notion 08
: Leanne Betasamosake Simpson has long brown hair, wearing a denim shirt with a camouflage jacket on top. Behind them is are tall reed like plants and red tree branches to the foreground.
13 November 2024
Glasgow School of Art

I am not a nation-state

Leanne Betasamosake Simpson Nat Raha

One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.

Episode 11: To End the World As We Know It
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