Ki: Mico, Tamio Shiraishi & Fritz Welch
Fritz Welch Mico Tamio Shiraishi
A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.
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A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.
US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.
First live show outside the USA featuring one-off film pieces and live theatre from the ringleaders of the ‘weird new America’ psych folk explosion.
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.