Can we find ideas of queer anarchism, failure and low theory in popular culture?
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
A historical narrative of the black and Latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to race, gender, sexuality and class oppressions.
A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?
In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?