Daniel Carter, Andrew Barker & Sabir Mateen
Daniel Carter Sabir Mateen
Daniel Carter & Sabir Mateen’s trio with percussionist Andrew Barker; incessantly driving forward through sweat-drenched bursts of pure ecstatic freedom.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Daniel Carter & Sabir Mateen’s trio with percussionist Andrew Barker; incessantly driving forward through sweat-drenched bursts of pure ecstatic freedom.
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Includes: solar flares, insect fireworks, a new film from Ian Helliwell, pulsating glaciers, an apple being eaten alive, sea ravaged stock, crushed blackberries and film that has literally risen from the grave.
Freak-out group for the 21st century perform a live soundtrack to Ira Cohen’s infamous psychedelic masterpiece ‘The Invasion of Thunderbolt Pagoda’
Opening with one of the most memorable shots ever filmed, and screened a year after the initial successes of the 2011 Egyptian revolution, Too Soon, Too Late is a search for the traces left on the landscape of past revolutions in France and Egypt.
Dead Labour Process drool-tape farmer, squeaking/creaking Usurper brother and Peeesseye’s yodelling traps-man hold a real OUT splutter party.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?