Overheard (Performance Part 1) and Festival Introduction
Resonance Radio Orchestra
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
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The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
Durational group-mind drone and clatter: bamboo, electronics, the contents of your local ironmongers bin. A 3-hour set from this legendary Japanese improvisation group.
UK conceptual/ drone/ noise artist, who is seriously posing what might seem to be unanswerable questions of music.
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.
A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Quintessentially British, The Bohman Brothers’ music is a home-made and DIY conflux of some of the most virulent strains of experimental music.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces