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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A wooden carved monkey smokes a pipe
20 March 2009

Extra Friday Set

Klaus Filip Radu Malfatti Sean Meehan Taku Unami

Quartet improvisation by Klaus Filip – laptop, Radu Malfatti – trombone, Sean Meehan – snare & cymbals, Taku Unami – rice and dish.

INSTAL 09
a fisheye lens looks up a blue sky with skyscrapers towering around
14 April 2007
DCA

Film Programme 1: In + Out

Guy Sherwin Various Artists

Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.

Kill Your Timid Notion 07
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
A medium close up of the side and back of one person hugging and lifting another
17 April 2015
Tramway

It’s Sorta Like a Big Hug

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
A microphone wrapped in white paper on a mic stand on stage
20 May 2005
The Sage Gateshead

MICRO 1

Takehisa Kosugi

MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)

Music Lover’s Field Companion 05
Still from Hope and Prey screening
14 April 2007
DCA

Hope and Prey

Daniel Menche Vanessa Renwick

Life and death dramas unfold in the snowy American North, using three-screen documentary footage and a soundtrack by KYTN favourite, vocalist Daniel Menche.

Kill Your Timid Notion 07
arika_ep7_IMG_4786
17 April 2015
Tramway

Poethical Readings/Intuiting the Political

Denise Ferreira da Silva Valentina Desideri

Three intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.

Work Care Making Health Work For You and a list of healthcare jobs
18 April 2015
Tramway

Work Care Class 2 – Care & Therapy

Howard Slater

The second in a series of workshops for workers and non-workers who care. What does the sharing of vulnerability entail? Can such a sharing inform progressive social relations?

Episode 7: We Can’t Live Without Our Lives
Three figures are silhouetted by a large window in the shape of a parallelogram
4 May 2012
Whitney Museum of American Art

Is a survey a process of listening?

Barry Esson Jay Sanders

A short chat about what we (Arika) might be trying to do with our program for the Biennial.

A survey is a process of listening
An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
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