Andrew Lampert
Andrew Lampert
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
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Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Amid the blur of erotics, the jangle of poetics, and the fetishizing of sickness and disability, the heat of Panteha’s performance and sculpture freezes all.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.