Infest – Opaque
Opaque
Low-end drone guitarage army since 1997: nobody has done more on this occasion by a gaggle of sludge-lovers from the Scottish underground.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Low-end drone guitarage army since 1997: nobody has done more on this occasion by a gaggle of sludge-lovers from the Scottish underground.
Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
A dense materialist experience at the limits of contemporary computer music, drawing on Korean Shamanism and Communism; striving to create a strange new vibration to the world that seems to contain the seed of everything.
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
Take a break and/ or hang in an Open Meet Up in IRL and URL
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?