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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A record deck with an old record on another record with a blue label to the side
13 November 2010
Tramway

Pascal le Gall

Pascal le Gall

A carefully thought out, simple but rich performance using just a turntable, teach yourself foreign language LP’s, the impeccable timing of a percussionist, and an idea.

INSTAL 10
A man holding a flying v guitar above his head
14 October 2005
The Arches

Black Boned Angel

Black Boned Angel

Black Boned Angel’s is a rock sound, stripped of all extraneous detail right down to its core, stretched out and nailed to the ceiling.

INSTAL 05
a man playing drums behind a woman playing a pedal steel guitar
14 October 2005
The Arches

Jandek

Jandek

Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.

INSTAL 05
My Cat Is An Alien at MLFC 05 Gateshead
21 May 2005
The Sage Gateshead

My Cat Is An Alien

My Cat Is An Alien

Italian duo of brothers Maurizio and Roberto Opalio utilising an array of acoustic and electric guitars, various toy-instruments and toy-microphones.

Music Lover’s Field Companion 05
at the end of a dark gallery a screen throbs with layers rectangles of red
12 October 2008
DCA

Declarative Mode (1976 – 1977)

Paul Sharits

Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.

Kill Your Timid Notion 08
An audience assembled inside a cave a pool of water between them and performers
23 June 2006
Smoo Cave

Smoo Cave

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a remote sea cave near Durness.

Resonant Spaces
a hand places a sweet into the mount of a glamorously made up woman
28 February 2010
DCA

Film Programme 7: Duplication

Various Artists

Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?

Kill Your Timid Notion 10
silmukka06
19 October 2003
DCA

Short Film Programme 2: Contemporary

Billy Roisz Various Artists William Basinski

The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.

Kill Your Timid Notion 03
At the edge of a roadside stand a group of 3 people. A person dressed in black robes is being filmed by one person and is talking to the camera. Another person stands next to them listening. To the left of the group is the back of a van heavily loaded with personal belongings including laundry bags, chairs, cooking pot, plastic water bottle & oil.
13 November 2024
Tramway Live Stream

For Ever Gaza

Ayreen Anastas Rene Gabri

An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.

Episode 11: To End the World As We Know It
A medium shot black & white portrait of Sonia Sanchez, head leaning on hand
21 April 2013
Tramway

Sonia Sanchez

Sonia Sanchez

A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.

Episode 4: Freedom is a Constant Struggle
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
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