What is the Sound of Freedom?
Fred Moten Ultra-red
For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.
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For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.
Talk charting the radical history of experimental music in Japan + the lowdown into the careers of many of the artists appearing at MLFC.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.
With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.
The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.