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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Charlemagne Palestine seated at two pianos surrounded by soft toys
21 May 2005

The Golden Mean

Charlemagne Palestine

An extravagant debauch of huge pianos, plush toys, cognac and ritual.

Music Lover’s Field Companion 05
A man in a blue jacket seems to listen intently whilst wearing large headphones
14 November 2010
Tramway

House – “The Tipping Point”

Aileen Campbell Eric La Casa Gaël Leveugle Jean-Luc Guionnet Neil Davidson Seijiro Murayama

Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.

INSTAL 10
Tony Conrad wearing a shirt and orange t shirt looks forlorn
17 February 2006
DCA

Symposium: ACCESS: SOUND FILE

Dan Norton Dr Cathy Lane Dr Martin Parker Rob Gawthrop Stephen Partridge Tony Conrad Zoe Irvine

ACCESS: SOUND FILE A day-long salon accompanying KYTN focusing on sound art.

Kill Your Timid Notion 06
Christof Migone with a tresses, wood and stopwatch
22 February 2010

Investigation – Christof Migone

Christof Migone

Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?

Kill Your Timid Notion 10
Paul Sharits' Shutter Interface projected on a wall: three bands of colour
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Shutter Interface

Paul Sharits

Shutter Interface is an expanded cinema piece: a series of machinegun bursts of chromatic relationships and visual harmonics in an overwhelming montage

Kill Your Timid Notion on Tour
A projected image reads "decriminalise sex work" on a red banner. Four people are sat underneath the image on a stage talking with an audience.
19 November 2017
Tramway

Sex, Work, Justice

SWARM

The struggle for sex workers’ rights and how we can understand it in the continuum of care work and other forms of invisibilised and precarious work.

Episode 9: Other Worlds Already Exist
arika_ep7_IMG_6458
19 April 2015
Tramway

TLRS

Laurence Rassel Terre Thaemlitz

The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.

Episode 7: We Can’t Live Without Our Lives
Packing tubes stand on their ends. two blurred figures are sitting in the back
12 November 2010
Tramway

The Borders Play Sunno(((

Christian Kesten Lucio Capece

Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.

INSTAL 10
silver and brown design like 16mm film strips with text - Kill Your Timid Notion
9 October – 29 November 2008
DCA

Kill Your Timid Notion 08

Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.

Junko singing into a microphone & Masayoshi Urabe playing a saxophone
13 May 2007
The Sage Gateshead

Junko & Masayoshi Urabe

Junko Masayoshi Urabe

Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.

Music Lover’s Field Companion 07
arika_ep7_IMG_6434
16 April 2015
Tramway

Ode to 1 & more than 1

Constantina Zavitsanos Park McArthur

The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.

Episode 7: We Can’t Live Without Our Lives
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
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