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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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John Tilbury plays a piano whilst Wadada Leo Smith plays a trumpet
19 April 2013
Tramway

Wadada Leo Smith & John Tilbury

John Tilbury Wadada Leo Smith

How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?

Episode 4: Freedom is a Constant Struggle
Akio Suzuki blowing into a small object in an ice house
25 June 2006
Tugnet Ice House

Tugnet Ice House

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.

Resonant Spaces
A close up, black & white portrait of John Tilbury, in a large fedora hat
19 April 2013
Tramway

John Tilbury

John Tilbury

What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.

Episode 4: Freedom is a Constant Struggle
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
A person sits on a bench in a relaxed position in a dimly lit room. They are wearing a lace bra.
Book

Truth and Lies – An Anthology of Writing and Art by Sex Workers

Lib Lobberson Marin Scarlett Payola E ZuZu Gabrielli Chardonnay Bella Violet Quinn Rab Green Chao-Ying Betty Rao Heather Ashleigh Williams (BABEWORLD) Jet Moon Estella Clarke

The Truth and Lies book project emerges as part of a rising tide of sex worker art and organised struggle to end criminalisation and stigmatisation of sex work.

A pink and mauve background with black text reads The Poetics of Abolition
10 August 2020
Online

Poetry is Not a Luxury: The Poetics of Abolition

Canisia Lubrin Christina Sharpe Nat Raha Saidiya Hartman Nydia A. Swaby

A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”

Revolution is not a one-time event
A man in a cat mask operates musical equipment
15 October 2005
The Arches

Birchville Cat Motel

Birchville Cat Motel

Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.

INSTAL 05
Taku Unami standing against a wall
22 February 2010
DCA

Investigation – Taku Unami

Taku Unami

With Taku we’ll carry out some simple proposals for doing almost nothing, for re-thinking sound with whatever comes to hand.

Kill Your Timid Notion 10
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Angharad and Rhodri performing in St Giles in the Fields on violin and harp
18 October 2005
St Giles in the Fields, London

St Giles in the Fields, London 05

Angharad Davies Jandek Rauhan Orkesteri Rhodri Davies

Performances at St Giles in the Fields, London by Jandek, Rhodri Davies & Angharad Davies, Rauhan Orkesteri.

Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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