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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
M NourbeSe Philip is congratulated by Amiri Baraka and Sonia Sanchez
21 April 2013
Tramway

Zong!

M. NourbeSe Philip

Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?

Episode 4: Freedom is a Constant Struggle
Junko singing into a microphone & Masayoshi Urabe playing a saxophone
13 May 2007
The Sage Gateshead

Junko & Masayoshi Urabe

Junko Masayoshi Urabe

Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.

Music Lover’s Field Companion 07
boychild performs prostrate bathed in a blue light a red light in their mouth
26 May 2013
Tramway

#untitled lipsync 3

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

A drawing of skull has the numbers 21 - 87 in a serif font written over the eyes
12 October 2008
DCA

Film Programme: Sonic Landscapes

Various Artists

Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?

Kill Your Timid Notion 08
22 March 2009
The Arches

Sean Meehan & Taku Unami

Sean Meehan Taku Unami

Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.

INSTAL 09
Jimmy Robert sits at the edge of a lit square on the floor, one leg bent up
26 May 2013
Tramway

Suspended closure, suspended

Jimmy Robert

When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?

Episode 5: Hidden in Plain Sight
A man in a cat mask operates musical equipment
15 October 2005
The Arches

Birchville Cat Motel

Birchville Cat Motel

Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.

INSTAL 05
Amiri Baraka reads poetry at a mic and Henry Grimes plays a double bass bass
21 April 2013
Tramway

WordMusic

Amiri Baraka Henry Grimes

A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.

Episode 4: Freedom is a Constant Struggle
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
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