Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
This theme gives us the chance to present work that deals with ‘things’ ‘objects’ ‘objectivity’ ‘instrumentality’ and, on a more practical level, musical ‘instruments’ and so forth. Check out Dawn Kasper who took both of these notions and played with them in her performance at Episode 2: A Special Form of Darkness.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.
Akio Suzuki and John Butcher performing by the Stones of Stenness, instead of the Ring of Brodgar, because of bad weather.
An original and beautifully simple performed installation forging a direct link between sound and image.
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
An original and beautifully simple performed installation forging a direct link between sound and image.
Since the 1960’s Oliverios has had a profound influence on generations of musicians through her work with myth and ritual, improvisation and meditation.
Minimal details and otherworldly glistening drones, rich with sustained metallic timbres that breathe with the scrapped pulse of bowed metal.
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
Boston duo of saxophonist Bhob Rainey and trumpeter Greg Kelley approach their improvisations with a slew if extended techniques and pregnant silences.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.