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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
Ann Cvetkovich gesticulates as she stands and talks by a flipchart
26 May 2013
Tramway

An Archive of Feelings

Ann Cvetkovich

The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.

Episode 5: Hidden in Plain Sight
Dawn Kasper in a yellow jacket and bare legs moves equipment
25 February 2012
Tramway

Become What You Are

Dawn Kasper

Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.

Episode 2: A Special Form of Darkness
TV monitors in a dark room showing white screens
20 September – 12 October 2008
DCA

Figment Light – Kjell Björgeengen

Kjell Björgeengen

The reknowned artist Kjell Bjørgeengen works collaboratively with innovative musicians to make complex installations. Channels of flickering light are produced in response to and from sound.

Kill Your Timid Notion 08
Music Lover's Field Companion 07 publicity flyer
10 – 13 May 2007
The Sage Gateshead

Music Lover’s Field Companion 07

A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.

A Film is a Statement Poster Graphic
19 – 22 January 2012
CCA GFT

Episode 1: A Film is a Statement

Every aspect of every film is always about more than just film. Or, as Godard said: a tracking shot is a moral issue. A cross between a festival, magazine and discussion about experimental artists’ films.

22 March 2009
The Arches

Sean Meehan & Taku Unami

Sean Meehan Taku Unami

Sean and Taku share an interest in structure, space and time. A spartan, abstract, considered and surprisingly musical set.

INSTAL 09
Charlemagne Palestine seated at the piano in red light
16 October 2004
The Arches

Charlemagne Palestine

Charlemagne Palestine

An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.

INSTAL 04
An audience assembled inside a cave a pool of water between them and performers
23 June 2006
Smoo Cave

Smoo Cave

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a remote sea cave near Durness.

Resonant Spaces
A woman bends over with a stick, in the background a man is hitting a gong
21 March 2009
The Arches

Ki: Mico, Tamio Shiraishi & Fritz Welch

Fritz Welch Mico Tamio Shiraishi

A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.

INSTAL 09
Mirror performing in front of a projection at KYTN 04
10 December 2004
DCA

Mirror with a film by Bill Morrison

Bill Morrison Mirror

Andrew Chalk & Christoph Heemann return with their diaphanous, impressionistic drone duo; their slowly evolving and enthralling works flutter and quiver with elegantly restrained, miniature sound events.

Kill Your Timid Notion 04
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
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