apparitions
Nat Raha
Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.
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Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
Reading their letters to each other, and chatting about prefigurative politics as the practice of relentlessly building worlds through unspeakable violence and loss; of building worlds and living in them anyway.
Former street performer, organist, performance artist, circus performer, harpist, accordion player, tree surgeon and tricyclist performing solo.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.
A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.