Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Here we’re grouping documentation of the many performances of improvised music that have taken place at our festivals over the years but also work that tests out a hypothesis in real time. Current highlights from this collection include William Parker and Daniel Carter’s freewheeling duo exploration, John Tilbury and Wadada Leo Smith’s meeting across traditions and Howard Slater’s talk about individual and collective practices in free jazz.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
A beautifully crisp, slowly evolving duo for cello and projected images. Abstract but still figurative; change only noticeable after the fact.
A delicate and detailed walk through the urban and rural landscape around Dundee; a poetic focus on the details found. A performance for 16mm projection and live amplified objects (maybe pine cones, maybe a coke bottle).
A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.
Durational group-mind drone and clatter: bamboo, electronics, the contents of your local ironmongers bin. A 3-hour set from this legendary Japanese improvisation group.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?
Trio vocal performance of a score by Achim Wollscheid with Aileen Campbell, Junko and Dylan Nyoukis.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.
John Butcher plays and manipulates a feeding back saxophone. Benedict Drew on electronics, broken cables and standing waves.