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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (719)

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text reading Decriminalised Futures on a colourful banner on a blue and purple background
31 August 2019 – 1 April 2023

Decriminalised Futures

Arika is working in partnership with Decriminalised Futures on a multi year collaboration featuring multiple creative projects exploring sex worker lives, experiences and movement struggles.

A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
A small audience looking at sean meehan's percussion and chair with no sean
5 May 2012
Whitney Museum of American Art

Sean Meehan

Sean Meehan

Percussion used to explore the social construction of space

A survey is a process of listening
Ann Cvetkovich sitting at a table speaking into a microphone
26 May 2013
Tramway

Public Feelings

Ann Cvetkovich

The role of feelings in public life, (political) depression and creative survival.

Episode 5: Hidden in Plain Sight
Instal 08 Poster Graphic
14 – 17 February 2008
The Arches

INSTAL 08

A cast of pioneering and provocative spirits who exist outside the mainstream, between borders and definitions; a series of events that each explore different aspects of music that doesn’t quite fit any given category. INSTAL 08 included the Self-Cancellation project.

A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
Three men play instruments in various stages of dismantlement
22 March 2009
The Arches

Free-form hook up

Ali Robertson Malcy Duff Seymour Wright

Usurper luddite twins’ disabled instruments play a game of pick-up-sticks with the deconstructed horn of a young Derby opponent.

INSTAL 09
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
Ulrike Flaig operating equipment by a cathode ray television
11 December 2004
DCA

Perlonex & Ulrike Flaig

Burkhard Beins Ignaz Schick Joerg Maria Zeger Ulrike Flaig

Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.

Kill Your Timid Notion 04
Image with the word: Fennesz
9 December 2001
The Arches

Fennesz

Fennesz

Austrian guitarist who specialises in a warm digital deconstruction of guitar noise

INSTAL 01
Miss Major waves regally from an open top car at a Pride parade, she is surrounded by other Pride marchers with banners and placards.
13 March 2022
Online

Chosen Kin: Making Our Loyalties

Mai’a Williams Miss Major Claricia Revlon

How do communities formed under the duress of violent othering and the joy of solidarity – such as ballroom culture, Black diasporas, Zapatistas – reform bonds of kinship?

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