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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (712)

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Amplifiers outside with mics on the floor coming from them
27 February 2010
DCA

Hit Parade

Christof Migone

Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?

Kill Your Timid Notion 10
Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
Jandek's silouhette against a blue wall
28 August 2005
Scottish Rite Theatre

Austin 05

Jandek

Jandek performing at the Scottish Rite Theatre in Austin, Texas with Juan Garcia, Nick Hennies and Chris Cogburn.

People milling around with sheets of paper, passing them
14 November 2010
Tramway

Paper Piece: Secrets

Brandon LaBelle

Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd

INSTAL 10
Projected images of black and white textures and green forms on a screen
11 October 2008
DCA

Charles Curtis & Raha Raissnia

Charles Curtis Raha Raissnia

A beautifully crisp, slowly evolving duo for cello and projected images. Abstract but still figurative; change only noticeable after the fact.

Kill Your Timid Notion 08
Rhodri Davies and Terry Day performing at MLFC 07
13 May 2007
The Sage Gateshead

Rhodri Davies & Terry Day

Rhodri Davies Terry Day

Terry is one of the most entertaining and unpredictable musicians in the London free improvising music scene. Rhodri Davies extends his instrument under a battery of techniques creating sound colours and textures quite alien to the harp.

Music Lover’s Field Companion 07
Michiyo Yagi is bent over a large koto stringed instrument in a pink light
15 February 2008
Stereo

Michiyo Yagi

Michiyo Yagi

Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.

INSTAL 08
Instal 04 publicity flyer
16 – 17 October 2004
The Arches

INSTAL 04

Now a two day festival, INSTAL 04 was borne of a desire to open eyes, challenge audiences and expand musical horizons. This was also the year in which a certain representative from Corwood Industries made his first ever live appearance.

Jandek on stage wearing a hat & playing an electric guitar
17 October 2004
The Arches

Jandek

Alex Neilson Jandek Richard Youngs

Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.

INSTAL 04
At the edge of a roadside stand a group of 3 people. A person dressed in black robes is being filmed by one person and is talking to the camera. Another person stands next to them listening. To the left of the group is the back of a van heavily loaded with personal belongings including laundry bags, chairs, cooking pot, plastic water bottle & oil.
13 November 2024
Tramway Live Stream

For Ever Gaza

Ayreen Anastas Rene Gabri

An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.

Episode 11: To End the World As We Know It
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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