Filament: Sachiko M & Otomo Yoshihide
Otomo Yoshihide Sachiko M
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
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Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.
Ever changing coven of feedback worshipping witches led by Blood Stereo/ Smack Music 7 shrieker Karen Constance spit audio hexes through yr skulls.
Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.
A collaborative performance where sound and image are created, performed and mediated by light, water and glass.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Glasgow. Power electronic klutz behaviour by Kovorox sound head-honcho. Bruised bodies and broken microphones.
Trio vocal performance of a score by Achim Wollscheid with Aileen Campbell, Junko and Dylan Nyoukis.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?