Archive

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive

All Archive (704)

Order by

A–Z

Date

Random

A film still image is distorted, turning the image of a couple into liquid

11 December 2004

DCA

Film Programme 2: Celluloid

Bill Morrison Guy Sherwin Jürgen Reble Thomas Köner Various Artists William Basinski

Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.

Kill Your Timid Notion 04

Burkhard Stangl silhouetted against a projection of an eye

19 October 2003

DCA

Phonographics, Live

Burkhard Stangl Fennesz Gustav Deutsch Martin Siewert Werner Dafeldecker

A live installation of the ‘Film Ist’: projected on 4 huge screens and an improvised soundtrack from 4 figureheads of the Austrian experimental music scene.

Kill Your Timid Notion 03

Joshua Allen speaks to participants at a workshop

22 October 2016

Tramway

#BlackExcellenceTour

CeCe McDonald Joshua Allen

A collaborative social justice project that uses art, activism and awareness to combat the systemic oppression facing young, trans, queer & gender nonconforming people of colour.

Episode 8: Refuse Powers’ Grasp

Several tables covered in white paper have blue chairs around them.

5 May 2012

Whitney Museum of American Art

What is the Sound of Freedom?

Fred Moten Ultra-red

For day four of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Fred Moten.

A survey is a process of listening

Phil Minton conducts a large choir at DCA

9 October 2008

DCA

Feral Choir

Phil Minton

A Feral Choir of people who’ve never improvised with their voices before, conducted by improviser yodeller, composer Phil Minton.

Kill Your Timid Notion 08

A black and while still of a photograph of a man melting on a stove

29 November 2008

BFI Southbank CCA Arnolfini

Out of Sight Out of Synch

Various Artists Hollis Frampton John Smith

Sound and image slipping out of synch and into discord, the programme includes (in London at least) a very special version of Hollis Frampton’s masterful (nostalgia) with a live narration by Michael Snow.

Kill Your Timid Notion on Tour

14 October 2006

The Arches

Infest – Ben Reynolds

Ben Reynolds

An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.

INSTAL 06

Arika_Episode8_BlacknessAnimalityAndTheUnsovereign-1

23 October 2016

Tramway

Blackness, Animality and the Unsovereign

Che Gossett

How black radical practices of abolition imagine a way out of the caging and mass killing of life.

Episode 8: Refuse Powers’ Grasp

Kjell Björgeengen, Keith Rowe & Philipp Wachsmann with equipment and screens

29 November – 7 December 2008

ICA Spike Island CCA

Kjell Björgeengen, Keith Rowe & Philipp Wachsmann

Keith Rowe Kjell Björgeengen Philipp Wachsmann

An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours

Kill Your Timid Notion on Tour

13 October 2005

The Universal

Stalled at Universal – Usurper

Usurper

Edinburgh. Nigh-inaudible improv jams with disabled instruments from the makers of Giant Tank and Pizza Boy Delivery.

INSTAL 05

Black and white photo of Argyll taken from event poster

4 September 2007

Various

Half-Life

Angharad Davies Lee Patterson Luke Fowler Rhodri Davies Toshiya Tsunoda

NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.

A screen showing two people holding a Sotherbys Bad for Art banner

3 May 2012

Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?