
Kyoaku No Intention
Kyoaku No Intention
Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
INSTAL’s third outing saw performances by AMM, Cosmos (Sachiko M & Ami Yoshida), Voreboms, Vibracathedral Orchestra with Matthew Bower and John Godbert, Paragon Ensemble, Merzbow and Ryoji Ikeda.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
Can we find ideas of queer anarchism, failure and low theory in popular culture?
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.
Performances at Anthology Film Archives NY by Jandek, Loren Mazzacane Connors & Alan Licht, and MV & EE.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?