
Speculum Orum
M Lamar
A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.
A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.
Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
The role of feelings in public life, (political) depression and creative survival.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
Patented 60 cycle hums, static pops, and terse electron pinpricks mutated into perfect, post-techno grooves and synaesthesic video
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.