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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Kill Your Timid Notion 07 publicity flyer
3 – 15 April 2007
DCA

Kill Your Timid Notion 07

Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.

Kiyoharu Kuwayama & Rina Kijima with friend at INSTAL 06
15 October 2006
The Arches

Kuwayama & Kijima

Kiyoharu Kuwayama Rina Kijima

Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.

INSTAL 06
A flyer in black and grey that says Master BallStar Weekend
15 – 20 April 2014
MoMA PS1 The New School Holiday Inn Club Escuelitas

Master Ballstar Weekend

A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.

Jandek on stage wearing a hat & playing an electric guitar
17 October 2004
The Arches

Jandek

Alex Neilson Jandek Richard Youngs

Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.

INSTAL 04
Teresa Maria Diaz Nerio in a yellow jumpsuit dances whist a B&W film plays
20 April 2013
Tramway

Ni ‘mamita’ Ni ‘mulatita’

Teresa María Díaz Nerio

A performed film lecture exploring how the ‘Rumberas’ of Caribbean cinema of the 40’s and 50’s subverted demeaning images of themselves through dance, sound and a sociality that insisted on blackness as being a cultural performance, not simply due to skin colour.

Episode 4: Freedom is a Constant Struggle
A line of people in white masks hold a pink banner "Non a la Discrimination"
26 May 2019
Kinning Park Complex

How to Ally with Sex Workers on Decriminalisation of Sex Work

Join Scot-PEP, SWARM and Decrim Now for a day of panel discussions focusing on: sex worker’s labour rights, how decriminalisation can help in the struggle for sex worker safety, sex work & migration with a film screening of Crossings.

Laps Performs in Blue Light
18 November 2017
Tramway

Every Book is Dead

Hal Duncan LAPS

Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.

Episode 9: Other Worlds Already Exist
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
Ahya Simone performs on Harp in support of Juliana Huxtable
23 October 2016
Tramway

Juliana Huxtable

Ahya Simone Joe Heffernan Juliana Huxtable

Juliana’s performances chart the dissonant space and discrepancy between the presumed fixed norms of social life and the fluid lived experience those norms don’t allow for.

Episode 8: Refuse Powers’ Grasp
Tim Goldie wearing sunglasses and hat holds his hands over his ears, tongue out
12 November 2010
Tramway

Tim Goldie

Tim Goldie

Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.

INSTAL 10
People milling around with sheets of paper, passing them
14 November 2010
Tramway

Paper Piece: Secrets

Brandon LaBelle

Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd

INSTAL 10
A Special Form of Darkness Poster Graphic
24 – 26 February 2012
Tramway

Episode 2: A Special Form of Darkness

A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?

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