Become What You Are
Dawn Kasper
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
Nina’s going to talk about November, by Hito Steyerl: what and how the film thinks, or about what and how it might makes us think (which is connected, but not the same thing), by watching, and it discussing (with you?).
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.
Juliana’s performances chart the dissonant space and discrepancy between the presumed fixed norms of social life and the fluid lived experience those norms don’t allow for.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
Are artists powerless in the face of technology? These often whimsical and amusing films are minimal technological interventions and appropriations but maybe also rigorous takes on the role of popular media and culture in our hyper-technological world.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.