Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
A testimony to poverty from Chris’s own experiences, and an invitation to engage with an all too typical situation and context through a kind of imaginary listening.
Includes: a £20 note, stock fluctuations, an examination of words in the video medium, a linguistic challenge for your mind, a frame by frame dissection 50 words, shop front poetry, image and language head to head and newspapers under the microscope.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Some of the most breathtaking, delicate and smoke filled guitar playing this side of Loren Connors or the quieter sides of Keiji Haino.
A workshop for educators, activists and young people to think about radical, anti-imperialist pedagogy, and what fighting for the Palestinian cause looks like for young people in the imperial core. PDF of the resource available soon.
A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
